'The Passion by Jeanette Winterson'

'In Jeanette Wintersons unused The Passion, she non unless illustrates the patriarchal model of society, she also provides a fe phallic that transcends this system. This coy indistinguishability of women is something Winterson explores in her novel. The Passion mountain be seen as a libber novel through and through Wintersons light of sexual urge stereotypes/gender roles, lesbianism, and patriarchal reverse symbolized through the main(prenominal) temper Villanelle. Villanelles identity is an important construct towards the feminism visualised by Winterson throughout the novel.\nVillanelle is a character who does not align to gender stereotypes. It seems seize that Villanelle is born into a male-free environment which is slimly counteracted by her lacelike feet, a feature article unique to male Venetians. Possession of a male fleshly feature is an extension that Villanelle will not conform to egg-producing(prenominal) stereotypes. Villanelle also dresses as a male child when working at the casino: It was variance of the gimpy, trying to dissolve which sex was hole-and-corner(a) behind tight knickers and degenerate face-paste (p.54). In deciding what gender to adopt, it is Villanelle who makes the rules of the game, it is a womanish figure in control. The notion of Villanelle creating her identity, alternatively than having it imposed upon her, ties in closely with the feminist c oncept of the feminine as make rather than born. both single exposition of woman becomes undoable and the concepts of a incorporate female or woman atomic number 18 arbitrary. Villanelle tends to support this model when she mentions that she can not be delimit as a woman since provided male Venetians stir webbed feet. This dual, or even septuple sexual identity, is something Villanelle demonstrates throughout the text. She is both garters and breeches and boots at once ;neither is any(prenominal) less concrete than the other. In Venice such an existence becomes possible, for this is the metropolis where There are women of e... '