Coursework in Arts Essay

1. In Elisabeth Vigee-Lebruns ikon of the Queen of France, Marie-Antoinette, in the late 18th century, the queen is shown sitting with her collar children in a pissal gown at the edge of the dorm room of Mirrors. Colors that were used can be described as essenti eachy feminineshades of ruby, cherry, velvet, scarlet, and salmon yet darker colors were used in the crib of the first son to portray his death. From the colors of the moving-picture show, the queen come forwards to be sitting on a shiny spot, moreover around her is a darker, gloomier color that may portray danger to her and her children.Textures, on the other hand, appear to be soft and feathery, which shows wealth and comfort. The lines in the background are jibe and horizontal, which points to her straight, firm position in her seat. The position of the queen and her two children beside her form a straight cross beside the crib that looks like a cave. The eldest son alive who points to the crib may appear like th e backer beside the cave where Jesus was buried. The son was like saying, Youre looking for my associate? Hes non here anymore but has bygone up to the Father. On the other hand, the eldest son alive stands severely alone, which shows independence and strengtheven at an early age. The stairs in the background may mean political fame, but it was pictured to be darker and more shadowy above, so that it would be best for the queen to be where she iswith her children and her home (please see painting in the appendix). Formal elements show that this well(p) queen is a devoted motherfull of quiet high-handednessby the way the colors, the textures, the lines, the shapes, and the space interact with one another.The whole mise en scene portrays quietness, peacefulness, as well as acceptancethings that picture her as a good and pleasant organism. There is also the hint of wealth and extravagance, especially the portrayal of the Hall of Mirrors. In the overall, the painting is meant to give her a positive, submissive, and maternal aura. 2. John Singleton Copleys painting of Paul respect in 1768 is an role model of a Rococo painting. The Rococo style, which emerged in France, natureizes opulence, grace, and lightness, as seen in the painting (Figure 2 in the appendix).Copley used contrasting colors like down in the mouth (as the background) and white (as Reveres shirt) to put more emphasis on the main object. The lines, colors, and objects are all simple. Lines, especially in the head and in the table, are all parallel, which may point to neutralism and evenhandedness. It was said that Revere was blase in politics he wanted only to be neutral, which was not possible (Artchive, 2007). The eyes, on the other hand, portray innocence, knowledge, and fairness.The textures used are all smooth and shiny, which may also reflect opulence. It focuses on carefree juicy life, with direct reference on Reveres being a silversmithwith a piece of silverware on his hand. He was portrayed with such extravagance, as shown in the linen cloth, which at that time was not yet available in America and could only be trade to the land as well as the golden buttons that lay on his vest.However, the portrayal of flowing linen could pointnot to the linens of Englandbut to the end product of a hundred ells of linen in America during that time, which for Revere was something to be proud of. However, it is said that the painting is a sort of a fit act conducted by painter Copley (Artchive, 2007), especially that he is about to embrace one of the Clarkes who were owners of the notorious tea concession (Artchive, 2007).The silver teapot appears to be a large issue then, since only their enemiesthe Toriesdrank tea (the Whigs drank the Boston tea, which was a punch). Revere is shown as a neutral person who wears rich linen clothing, but which comes from his own land. He is holding a silverware teapot, which is one of his expertise, but points to the character of the enemies and to the business of the Clarkes with which Copley is about to share his life with. Therefore, Revere is neutral, as he is open to all.